My pixel art is eclectic, both manipulated and as-shot. My manipulated images are of scenes that do not or did not exist in reality. For example, I might bring together people from several actual photographs taken in different places and combine them to make an intriguing grouping in a single image. In the process of photographing people and places to use as raw materials for these images, I often have taken photographs that are very appealing without manipulation.
The reason why I create pixel art is certainly a response to the creative urge, but engaging viewers is also very important to me. I learned early that to make a viewer pause for a look, I must reward the eye that lingers. So I strive to create paintings and images that elicit an emotional reaction—joy, disgust, humor, sadness, whatever. If my artworks can engage a viewer to share a few moments, then my art is worthwhile.
The reason why I create pixel art is certainly a response to the creative urge, but engaging viewers is also very important to me. I learned early that to make a viewer pause for a look, I must reward the eye that lingers. So I strive to create paintings and images that elicit an emotional reaction—joy, disgust, humor, sadness, whatever. If my artworks can engage a viewer to share a few moments, then my art is worthwhile.